Tuesday, April 6, 2010
Monday, April 5, 2010
Easter Sunrise at 4,300 feet!




The Operation.
Friday, April 2, 2010
Venting...
Sir Loin, Buttercup, Violet, Electra...
"By the time she's done, artist Sage Tucker-Ketcham will have volunteered 50 hours applying acrylic paint to one bovine temporarily residing at the Shelburne Art Center. The pink-and-bright-blue-swirl-covered cow will pasture in the village green starting May 1. Cows like this one are sponsored by business owners and individuals as part of the Lake Champlain Regional Chamber of Commerce's "Cows Come Home to Burlington." Two weeks ago, the gray-primed, fiberglass cows arrived as blank 3D canvases in 35 locations to be painted by local artists. They will be on display from May to September and be put up for auction at the end of the season. Partial proceeds will benefit local programs of the Vermont Campaign to End Childhood Hunger. Chamber Regional Marketing and Tourism Director Matt McMahon said, "We were impressed by the number of responses and the ingenuity put into each submission. I think some of these cows are really going to surprise visitors and locals alike with their creativity." -Lynn Monty, Burlington Free Press
http://www.burlingtonfreepress.com/article/20100331/NEWS02/3310313/Vermont-cows-head-to-barn-for-art-charity



Thursday, April 1, 2010
Why wait for a reason to celebrate?
What a delightful experience. We closed the place up at around 10:45PM after way too much laughing. Every plate was cleared, entirely. When does that happen? We did joke that the pork loin was more of a “Cheesecake Factory Portion” but, even that was devoured by the time the plates were cleared. We thanked our server for his patience and wonderful service (which included two extra desserts!!) and were on our way. When you come to Vermont, we’re definitely going there. Save those pennies!
Here’s a NY Times review of the restaurant that does a great job of explaining the atmosphere.
There was no question that Hen was good, really good, and also among the most beautiful little restaurants I know. Set in a former mill next to a rushing stream — the 15 or 20 outside seats, on fine summer nights, are downright Arcadian — it’s a near-perfect example of functional design meshing with intrinsic structure. A large lower-level table, no doubt where the grinding stones once did their work, is overlooked on three sides by a U-shaped balcony where the majority of diners sit; the brightly lit kitchen forms the fourth side. The remaining lighting is soft and gorgeous; the layered slate walls are graced by votive candles, and the main structural supports are century-old beams of a size one doesn’t see too often. (Try going to the lumberyard and asking for a 12-by-18.) Even the acoustics are superb. -written by Mark Bittman


